Sale price¥2,860

CRACKED PAPER is a box designed to express a fictitious crack on paper using elaborate processing techniques. The single cracking vein was designed through careful observation of a series of crevices found on surfaces such as concrete and tile. By deliberately treating paper as an unfamiliar material, this design poetically expresses inexplicable beauty trapped inside a rectangular object. This box can be used in many ways. We invite you to find your own way of enjoying this product.

This product is made-to-order.
Please place your order with the following understanding.
・This product is made-to-order. After confirming your order, we will start manufacturing the product.
・Please allow 2 weeks to 3 weeks from order to shipment. (This may vary depending on the situation.)
・We also set a limit on the number of orders we can accept.
・We cannot accept cancellations, changes, returns, or exchanges after an order has been confirmed.
・If you order a made-to-order product and another product at the same time, they will be shipped together with the made-to-order product.

Please note that it will take some time for us to deliver the products, but we will finish them carefully one by one, so we hope you can look forward to them.

CRACKED PAPER Sale price¥2,860
CRACKED PAPER Sale price¥2,860
Main body paper

GA file, black S

body size

Outer dimensions: W63 x H97 x D23mm / Inner dimensions: W56 x H94 x D20mm *Business cards and credit cards accepted

package size



1 piece

Target age

Number of players

required time


Ogawa Masaki

production year






Cracks are very realistic.
Simply impressed!!

HAYASHI Nobuyuki

When I was a child, I felt the excitement I felt when I saw paper crafts.My encounter with Fukunaga Shiko revived this feeling in me as an adult. When I go to a shop where the company's works (products) are lined up, I have seen them many times and know them well, but when I look at them one by one again and see them with my friends, I end up telling them, "Do you know?"
If half of the secret that creates this excitement is the company's craftsmanship that processes paper with high quality without compromise, then the other half is working with various interesting creators to bring out new possibilities for paper that have never existed before. I think it's the spirit of continuing to take on challenges.
This spirit of challenge is most strongly reflected in the group of works from "Shikoushiten".
It's hard to choose one because I like all of them, but when I want to convey the charm of Fukunaga Print to others, CRACKED PAPER developed with Ms. Aya Kodama will instantly convey it.
While many other works draw out the overlooked characteristics of paper and show new possibilities, CRACKED PAPER is the exact opposite, aiming for the least "paper-like" appearance. Most of the people I showed it to couldn't tell right away that it was paper.
I can't even imagine how much trial and error was repeated between Fukunaga Shiko's sophisticated processing technology and Mr. Kodama. If they had compromised even a little bit, I don't think it would have looked as good as it has. Fukunaga Print feels that by creating this most unpaper-like piece of art, he has been able to push the possibilities of paper even further.
That's why I was introduced to Fukunaga Print's favorite product, "first of all", which I can't just pick and choose.

KONDO Atsuhiro

I also helped a little in the production of this product.
It is made by combining two special processes in a precise process, and it is actually a very maniac structure.
It is a product that I would like you to enjoy the elaborate processing expression that you cannot imagine with paper.